KESTRELS have a new record out on revered Canadian independent label Sonic Unyon Records. June 2012 sees the release of A Ghost History, the sophomore LP from the Halifax based band.
The band has a long history of blending earnest lyrics, an endearing sense of melody, and guitar histrionics, and A Ghost History delivers on the promises made on the early releases by the band. The record was recorded in various bursts of activity over 2010 and 2011 and features an updated mix of live staple “The Light” from The Solipsist EP (Noyes Records, 2010). Where debut LP Primary Colours (Noyes Records, 2009) was a relatively safe sonic affair, A Ghost History sees the ante increased considerably: the band self-produced the record to ensure it met their own standards, refining and re-recording songs multiple times over the year it took to make the record. (Album closer “The Past Rests” was tracked 23 times in four different recording sessions until everyone was satisfied.)
The results jump out of the speakers—from the opening drone and washed-out guitar of “Drowning Girl” to the screeching crescendos of “The Field Where I Died” to the alien lines all over first single “There All The Time Without You”, it becomes apparent that this is a record that matters. The record is notable for a rare guest appearance by Tim Wheeler of Irish band ASH on “Dumb Angel”. Wheeler was the teenage hero of Chad Peck (guitar/vocals), and the two struck up a friendship backstage at an Ash show in 2003. The track is one of the album’s highlights and features Wheeler’s inimitable style front and center. Lyrically, the album answers a question posed by Jean Baudrillard in an essay from The Vital Illusion: “Is a ghost history, a spectral history, still a history?” Fueled by a summer spent living in the Lower East Side of Manhattan (far removed from the insular peninsula of Halifax), Peck wrote a record that thoroughly mines out concepts of nostalgia and memory.
Taking the aesthetic of early 90s Creation Records and mixing it with the ethics and energy of the first Merge Records releases, Kestrels have forged their sound. They have cut their teeth as a ferociously loud live act, and the new record sounds appropriate turned all of the way up; it also warrants late night listening with headphones.
The band has a six-week North American tour lined up in support of A Ghost History along with key festival appearances at Liverpool Sound City.
Kestrels are Chad Peck, Devin Peck (bass), and Paul Brown (drums).
